Personal development through the performing arts

Microemotions Training.

With Carmen Rico

National and international professionals know the need for new development highways of creation and empowerment of our emotions to evolve as performers.

Emotion is information that comes from our depth and gives us adaptive capacities. As actors and actresses we use emotion to adapt to the reality generated by our imagination. It is important to apply to the character the emotions that she needs to be able to adapt to the given circumstances in which she has to live. And knowing how to do it in front of the camera is a challenge that comes with acquiring a master’s degree.

MICROEMOTIONS are an interpretation system for audiovisual format developed from IMAGINATION, the character-memory frame. Emotion is graded through details as the brain accesses our internal images. All these detailed images make up emotional stops through which the actor lives and the character lives. These graduations-transits enrich the character with details from a purely visual-emotional place.

Objectives

  • Activate ourselves in the new references of interpretation for a permanent update as creators.
  • How to activate and enable EMOTIONS and how to develop their usefulness within our profession.
  • Prepare ACTORS/ICES with constantly developing emotional strength in front of the camera.
  • Through the form (separate, film script, series chapter, play) find out the exact material of my character, through the imaginary (image).
  • The search for the detail, the stop, the transit, the minimum that discovers unique to each actor/iz.

Contents

  • MICROEMOTIONS: understanding the visible and the invisible (I cannot express what I do not understand)
  • Use the word SUBJECT/the word OBJECT/the word IMAGE
  • THE MICRO-STOPS of EMOTIONS: symbolic language / non-verbal languages.
  • CREATION of all types of memories that are in use in the scene: individual memory, collective memory, shared memory, asymmetric memory.
  • THE MICRONARRATIONS. Trajectory of the Image in the UNIVERSAL world (what everyone recognizes) to the particular world of the character (what I will do so that they understand me).
  • THE TRANSITS

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